Initial Sketchbook Notes
To what extent does the personal politics of professional practitioners impact on the role and function of illustration?
Moving Forward
Getting a little too distracted by the Southern Korean Tattoo scene I feel, questions are straying too far from initial point without enough research; must continue to stay focused
What angle do I want to take on this? At the moment it's very vague. Do I want to know IF personal politics brings people together or do I want to know WHY it does? How successful is it? Are people more powerful together? I need a focused argument or statement in mind.
At this point I believe community and collectives are more powerful than someone standing alone; is this something I want to PROVE or something I want to EXPLORE.
More examples of collectives // communities being brave within the art world? Strength and confidence in numbers? What can be achieved by this? How does working in a group // collective affect how an illustrator works?
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